Since Meiji Reform, Japan has devoted to the worship of Europe; it has been obsessed by the ancient roman civilization and Greek mythology. During the second World War, Japan has hoped that axis powers could win, so maybe it can carve up some European civilization with Hitler. The cartoon in modern age and the local works are all express their dream for European civilization. In the field of movie, obtain local material has be been driven into an impasse, and people also have lost some interesting in CG pictures. The best way is to focus on ancient Roman civilization.Recession Chic â€[ How to Be Most Cool-Looking on a Budget

The background of Amalfi Rewards Of The Goddess can be America, but the tragic of the hero will loss its power as there are not church old city. The Beauty and False Ideas of wedding gift The box office of this film in Japan is good, in the top ten that almost occupied by local cartoon movie, it can still rank five. It is not only attributed to the power of super stars, but also to the warship for European civilization of Japanese. "Vengeance of political victim" is a familiar theme in Japanese movies. Japan itself is a capitalist country with multi parties which are in power in turn. As soon as there is scandal about those who are in power, one who are out of power would instigate the mediums to attack and expose. And there must be some innocent victim. The film tells the story that [victim" plans to assassinate the foreign secretary and the opposites act to stop the assassination. The director meant to add tragic color to this revenge story by the legend of Amalfi.ed hardy are in the First Place in the List of Most Wanted Finds in 2009

In the scene that Saeko Yakami who acted by Amami Yuki sent ransom money to Almafi, there are many setting to express city architectures and religion. And then, Hirosho Kataok introduced the legend of Almafi to Saeko Yakami. This setting is intended as the theme of political victim is not the most part but is important, and this also why the film would screen in Italy. They considered the problems of one sector, but had ignored those of another. It din not mix together the plot and the scenes well. When Kosaku Kuroda who played by Yuji Oda and Saeko Yakami shuttled in each spot in Roman, we can remind of Angel and Demon –a film that also shoot in Roman. The latter has better mixed the plot and scenes. Two Japanese ran about madly in the streets of Roman, which made me fell mercy to them, maybe the director meant to express their hopelessness and loneliness. However, the old architectures served as a contrast.

The main plot of kidnapper has kept the high level as usual. The diplomat was calm and acted accurately at the moment of truth. The surveillance video has become the most important key. Although some plot is stupid, is not bad on the whole. Especially the earlier shot of Hirosho Kataok`s partners, they all looked at Kosaku Kuroda quirky, which lay the groundwork for the future plot. Since Saeko Yakami has compelled to join in the party of Hirosho Kataok, her manner has been different, she was indecisive while was firm and anxious before. It was dangerous to let Saeko Yakami lead to cut off the alarm system, and it was ludicrous that the guarder had listened to her. Luckily, it was not factal. Director has spent enough part to let Amami show her love for her daughter. Therefore, it was reasonable for what she did later.

Rewards of the Godness hoped to use Roman civilization as a big gift for the Fuji celebration. Both Vatican and the Holy Trinity were irreplaceable, and the key point was that Japanese could film aboard by its own. Only this can make Japanese feel proud. Japanese are more familiar with Roman than other [foreigners". They have owned ancient Roman civilization. So, their attitude is different from other foreigners`. Other [foreigners" only see the familiar Japanese stars: Yuki Amami, Yuji Oda and Erika Toda.